Case Study

How We Put a Local Airport
on the Super Bowl

A bare-bones budget, a bold idea, and AI filling in the gaps — the story behind the ILM airport ad that aired during the biggest game of the year.

Hendy Street Produxions
February 2026
Wilmington, NC
30s
Spot Length
914
Likes in 15hrs
500K+
Prior Organic Views

We didn't set out to make a Super Bowl commercial. We set out to see if we could make something that felt like one — on a budget that had no business getting anywhere near the big game.

At Hendy Street Produxions, we've been working with Wilmington International Airport (ILM) for a while now. Our previous campaigns generated over 500,000 organic video views and millions of impressions across TikTok, Instagram, Disney+, and Hulu. The work was performing. The relationship was strong. And then we had a conversation that changed everything.

The airport needed additional ad creative for their ongoing campaigns during football season. The budget was tight — really tight. A traditional production at the quality level we wanted would have eaten the entire spend, leaving nothing for media placement. So we asked ourselves a question: what if we challenged our team to create a Super Bowl-caliber commercial on a fraction of the typical cost?

The Challenge We Set for Ourselves

We started calling it "the Super Bowl ad" internally. Not because we expected it to air during the Super Bowl — we thought it would be a bumper spot, an additional piece of creative for the campaigns already running. But the name stuck because it captured the ambition: could a small production company in Wilmington, North Carolina, create something that would hold its own against the biggest ads in the world?

The concept was inspired by an award-winning commercial created for a major European airline. We took that creative DNA and molded it into a 30-second spot tailored specifically for ILM. We hired actors. We brought in crew. We booked editors. Every part of the production involved real, local professionals doing real work.

The Role AI Actually Played

AI handled roughly 20% of the finished product — specifically the ending of the spot. It didn't replace anyone on set. It filled in a gap that the budget simply couldn't cover. Without that 20%, the entire production falls apart. No actors get booked. No crew shows up. No editors cut the footage. And the client has nothing to run during the biggest television event of the year.

This is the part of the AI conversation that doesn't get enough airtime. There's a lot of noise about AI eliminating jobs and replacing creative professionals. And those concerns are valid — they deserve serious attention. But what happened on this project was the opposite. AI didn't take work away from anyone. It made the entire project possible. It was the difference between a production that happens and one that doesn't.

Then It Actually Aired During the Super Bowl

When we were shooting, we had no idea the spot would end up on the Super Bowl. The internal nickname was just motivation — a standard to hold ourselves to. But the client's media strategy evolved, and the commercial we made on a bare-bones budget ended up airing during halftime of the biggest television event in America.

Think about that for a second. A regional airport in Southeastern North Carolina. A small production team in Wilmington. A commercial made for a fraction of what the big agencies spend. Running during the Super Bowl.

My second commercial and my first Super Bowl ad — y'all talk about surreal.

@caribbean_cowgirl, actress in the ILM spot

The reaction was immediate. One of our actresses posted about seeing herself on TV during the game. Within 15 hours, her post had over 900 likes and 200+ comments. Local community accounts started sharing the spot to their followers. The organic buzz was electric, and it was all genuine. Nobody was paid to post about it. People were just excited to see Wilmington on the Super Bowl stage.

What This Means for Businesses

The old model was simple and expensive: spend six figures on a commercial, then spend six figures again to place it. The math excluded most businesses from ever competing at the highest level of advertising. You either had the budget or you didn't.

What we proved with this project is that the math has changed. By using AI strategically — not as a replacement for creative professionals, but as a tool that fills specific gaps — we were able to produce broadcast-quality work at a cost that left room in the budget for premium placements. The savings didn't just lower the bill. They unlocked opportunities that simply didn't exist before.

This isn't about cutting corners. Every frame of that commercial was crafted with intention. The actors delivered real performances. The crew brought professional expertise. The editors shaped the story. AI was one tool in the toolbox — an important one, but just one.

The Ripple Effect

Because the production cost was manageable, the client had budget left over for what matters most: getting the ad in front of people. That's the real unlock. It's not just about making great content for less — it's about making great content and having the resources to actually distribute it at scale.

A New Playbook

We've been building toward this moment for a while. Our previous work with ILM proved that authentic, high-quality content can outperform bloated campaigns — our organic content consistently outpaced paid media in reach and engagement. This Super Bowl spot is the next chapter of that story.

For businesses watching the AI conversation from the sidelines, wondering whether this technology is a threat or an opportunity — this is our answer. On a single production in Wilmington, North Carolina, AI created jobs. It enabled a shoot that hired local talent and crew. It gave a regional airport a seat at the biggest table in advertising. And it proved that the barrier to world-class creative isn't budget anymore. It's imagination.

We're just getting started.

80%
Human-Created
20%
AI-Assisted
100%
Super Bowl

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``` Key fix: the three stat cards (30s, 914, 500K+) now sit in a row **below** the title instead of floating to the right and overlapping. Should look clean

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