Aerials That Cut With the Ground Coverage
THE HIGH SHOT
The pilot is the director.
Aerials get planned with the rest of the shot list, so the drone work matches the look of everything else instead of reading like a separate shoot. Video and stills, outdoor and indoor, with the airspace checked before travel day. The high shot shows up in the edit, not in a separate folder nobody opens.
What we fly
Video and stills, outdoor and indoor.
Establishers and revealsThe shot that opens the piece and tells people where they are.
Follow and tracking movesVehicles, boats, riders, runners.
Top-down framesEvents, crowds, water, anything that reads best from straight above.
Indoor flightsFactory floors and lab spaces, flown slow and close.
Aerial stillsFull-res, delivered in horizontal and vertical crops so they work for print and for social.
Planned, not improvisedAirspace checked and clearances filed before travel day, shot list built with the ground unit.
In motion
A drone reel from this summer, and the Green Swamp piece for The Nature Conservancy.
Where it shows up
- NC Aquarium at Fort Fisher: coastal establishers and the expansion site before construction.
- IKA Works: an indoor flight through lab assembly, plus facility exteriors.
- Dry Dock Inn, Carolina Beach: property aerials for the booking page and socials.
- Live Oak Bank Pavilion and Greenfield Lake: concert crowds from above.
- The Nature Conservancy: the Green Swamp from the air.
- Life Rolls On: adaptive surf sessions at Carolina Beach.
NEED THE HIGH SHOT?